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Decorative ceramic vase with blue floral patterns on a black background
  • Decorative ceramic vase with blue floral patterns on a black background
  • Decorative ceramic vase with blue floral patterns on a black background
Large Vessel by Eri Sugimoto #1689

Large Vessel by Eri Sugimoto #1689

Dimensions: 15.5" x 11"
$2,800.00

Description

Eri Sugimoto's large vessel commands presence through its classical olla form and striking visual drama. White porcelain transitions into a luminous blue gradient, creating a sense of movement and depth across the surface. The paper release method introduces offsetting organic patterns that dance across the color shift—a conversation between control and chance. This statement piece honors traditional vessel-making while asserting a distinctly contemporary vision. Whether displayed as sculptural art or appreciated for its refined proportions, the work invites prolonged observation, revealing new details with each viewing. A singular handmade creation for collectors who understand that true artistry lies in the marriage of form, color, and technique.

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About the Artist

Black and white photo of a person working with clay in a pottery setting.

Eri Sugimoto is an accomplished potter. Working in porcelain and stone-ware, she incorporates various elements such as wood and leather to create balance and marry the organic with the in-organic.

Artist Statement: Form, pattern, and texture—these are the significant elements of my work. Through the paper resist technique, I am always exploring an infinite variety of combinations of clay and slip that maximize the appeal of these elements. I design and hand-cut distinct paper patterns for each artwork. Then, using the ceramic body of the piece as a canvas, I lay out these paper patterns on it. After applying the original slip or glaze slip (which I make) over it, I peel off the patterns. Before the bisque and the final firing, I add the finishing touches carefully and repeatedly by hand.
In my work, I make two-dimensional patterns look three-dimensional through the placement of the design on the organic curve. The asymmetry and dynamic composition in my work was influenced by my experience of studying Japanese Middle Age art on folding screens, ink paintings, sliding screen paintings, and illustrated scrolls in my early days as an art history student.
I was born in Tokyo and raised in Yokohama, Japan. In my final year as an art history student at university, I decided to enroll in a design school, which opened the way to my creativity. Following design school, I began my career as an industrial designer. Then, I completed a master’s degree in industrial design. While working as an industrial designer again in Tokyo, I encountered the world of clay and started learning hand-building at a ceramic studio. After moving to the United States in 2005, I began learning wheel throwing. Since then, I have been enjoying and challenging my creativity in my studio in Orange County, CA.

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